Please look at the work my colleagues are doing. It’s crazymaking some days, making so many newspapers, but I am so privileged to get to be the chief ambassador for these badasses and I hope they all know how proud I am of them.
I’ve gotten really bad at keeping a running visual tally of the things I design at work, so here’s a dump from the past few months! What you see here are some pages, some centerpieces. CP for Montgomery Advertiser CP for Montgomery Advertiser CP for Montgomery Advertiser
So, wonks and pedants, literalists and newshounds, hear my plea. Give your readers some moments of delight every now and again. And take some time to enjoy that delight yourself. I promise it will not kill you.
I don’t post about specific stuff I do at work very often because … actually I’m not sure why. It ain’t modesty, I promise. I think I’m still just delusionally assuming that if I don’t post specifics about my work that no one at the new job (new? I’ve been there a year!) is going to find this corner of the internet and discover what a nutty broad I am. That’s crazy, I suppose, because…
Don’t mind me, I’m just clicking and dragging and portfolioing. Shelby Farms: Urban oasis A story about the growth and change Shelby Farms is experiencing, accompanied by stunning photos. Check out the story here, as well as Jim Weber’s beautiful photo gallery. In the shadows A follow-up to the shocking CA story about civil rights photographer Ernest Withers’ secret life as a FBI informant. Check out part two of the Withers…
The CA, for a few months now, has been receiving letters from self-identified jihadist Abdulhakim Mujahid Muhammad as he spends time in prison for his part in the death of one soldier and the injury of another at a military recruiting center in Little Rock. This past Sunday, we printed some excerpts of those letters, in which Muhammad describes his purpose and what he sees as an all-out war on Uncle Sam by those Muslims…
More news designs to share! This small but fun package ran this past Sunday in Viewpoint. The story –which is a great read and might make you tear up a little or, ahem, a lot — is here.
The CA broke a pretty fascinating story on Sunday: Ernest Withers, the iconic civil rights photographer, was a paid FBI informant. It’s almost too crazy to contemplate, but most history is, if you think about it. I was lucky enough to get to do the print layout, although that meant that I had to sit on such a crazy story for a few weeks. That’s nothing compared to Marc Perrusquia’s having to keep mum about…
(Cross-filed in the shameless friend promotion cabinet) Check out these sweet page designs featuring Shane McDermott’s artwork. The Facebook page is my favorite, even though Shane had to bust ass to get it done on deadline since his original sketch was lost to the ether thanks to some kind of shitty Illustrator-related technical glitch. Shane, when he reads this post, will probably leave a comment saying that he likes the Facebook illustration, just not as…
Completely forgot to post these back in December. Oops. It’s a pretty remarkable story, especially when you consider it’s about a young lesbian of color. How often does a story like that make it into the paper? And check out this little explainer video about the series, which was featured today at the annual H.F. Guggenheim Symposium on Crime in America in New York: The CA has nominated the series for a Pulitzer.
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